Atafo’s The Atelier Exudes Class And Art With Inclusive Fashion Creations

Three years after Mai Atafo’s last runway show, he introduces the world to the new Atafo SS23 collection ‘The Atelier’, with an exclusive in-person show that goes beyond a showcase of art and style but a consciousness of the times and lots of inclusivity.

When the pandemic hit the world, we were exposed to unprecedented terms that affected people’s lifestyles worldwide. It drove the need for introspection, the need for art to stand for something beyond itself, and stressed the need for inclusivity and freedom in every sense of it.

Mai Atafo’s collection represents this reality. The Atelier Collection captures design features in creative, and contemporary ways while being functional, elevated, elegant, and adaptable to individual styles. Four collections of over 80 outfits were displayed by 68 models on the runway.

He did it with all his guests getting a front-row ticket to experience the excellence of the collection with the masterful use of music and 12 years’ worth of awards at the opening stage. He did it with the ethereal bridalwear, the colourful aso oke traditional attires, the bold yet classy womenswear for women across boards, and the fierce yet colourful menswear with a blend of velvet pieces.

For the womenswear, there were variations of two pieces with suit sets for this collection. With the direction seeming to lean towards more boss lady outfits, the designer infused less conservative feminine styling into the outfits, while providing conservative means to rock these pieces. It gave off the message of freedom to dress however you like, especially with the use of a hijabi model.

One thing that also stood out was the way the models’ natural hair was styled. Instead of opting for weaves, more African styles like cornrows were employed, a feat that is most welcome considering the fact that this is a Nigerian brand.

The menswear did not lack inclusivity and diversity as well, as the introduction of bold suit colours, embellishments, and regular suit colours was seen on the runway. The designs, finish, structure, and overall outfits were in no way regular. The men’s collection had everything, patterns, colours, shirts, prints, and all the sparkles.

One of the major highlights of the show was its traditional wear. The use of aso oke, the variation of colours on the outfits, and the infusion of modern and traditional culture into these traditional wears were brilliant. Throughout the collection, the use of velvet, studs, embellishment, and structures was well executed.

Although the bridal collection was not new, it was perfect for the opener as the models strutted in couture wedding dresses with a range of styles in ultra-feminine forms and silhouettes from his last bridal collection.

Overall, it was a great show with lots of innovative designs that screamed luxury while exploring what gender means in fashion to a good extent. The musical direction is also one to commend as Ric Hassani was a perfect musician to usher in the bridal wear, and Papii J understood the assignment as he showcased his skills on the drum while the menswear was being unveiled.